विंडसर्फिंग – Windsurfing (Hindi version)

Ding dong! “लंदन को जाने-वाली ब्रिटिश एयरवेज़ की उड़ान…. British Airways flight to London….”

For those with a keen ear for language, the international departures lounges of airports once provided rich listening, as announcements in multiple languages provided a constant reminder of linguistic diversity across the world. Then came COVID and the lockdowns. Almost overnight, international air travel came to a near-complete halt, and those multilingual moments have turned into ever more distant memories.

But our taste for linguistic adventure lives on, and physical lockdown has not disabled our capacity for creativity and innovation in responding to new communicative challenges, as our contributor Animesh Biswas has recently demonstrated, here and here. Nor is he alone! We now welcome a new addition to our Other Tongues collection with a Hindi version of our Windsurfing film by Rohini Tolsma.

Gordon Wells met Rohini, who is based in the Netherlands, at the 2019 NEHU International Language Fest for Indigenous and Endangered Languages in Shillong. The Netherlands is currently relaxing some of its most stringent lockdown restrictions, but in this exercise Rohini followed the same simple modus operandi as previous recent contributors, recording her voice on her phone, and sending the results to Gordon by Facebook Messenger.

Anyone listening will be struck by the clarity of Rohini’s diction, and may find themselves wondering how her voice somehow feels familiar. Well, if you’ve passed through Heathrow Terminal 5 or any other similar airport lounge, the chances are you have heard her before, as Rohini’s day job is to record the public announcements in Hindi for airports across the world. Island Voices have a Hebridean locus, but a truly international reach!

Here’s the film:

And here’s the wordlinked Clilstore transcript: Unit 8610

Studies in Culture and Education

An academic journal titled “Changing English” may seem an unlikely location for a Gaelic-focused article, but the strapline, “Studies in Culture and Education”, captures better the breadth of field that comes within its scope. Island Voices came under the spotlight in its March 2020 special edition on Reading Aloud, edited by Sam Duncan, who had kindly invited Gordon Wells to give a presentation at a November 2018 symposium on Reading Aloud at the University College London Institute of Education. The title of his talk was “Reading Island Voices: issues around the primacy of speech and the privileging of literacy, from a Hebridean viewpoint”

Sam’s introductory editorial has this to say about Gordon’s contribution: “In our final article, Gordon Wells takes us to the Outer Hebrides and into a different perspective on relationships between literacy and oracy. Starting with potential tensions in ‘value or status’ between ‘community members’ (and their predominantly oral uses of Gaelic) and ‘language professionals, activists or academics’ (and their literacy-based claims on Gaelic) and moving onto how forms of oral and written language come together creatively in his Island Voices – Guthan nan Eilean documentary project, Wells invites us to rethink the differences between the written and the oral. He reminds us that a ‘REvaluation’ of the oral need not be a ‘DEvaluation of the written.’ This final article – a printed version of a text originally written to be read aloud as a presentation to a listening audience, a text therefore first written to be voiced and then later readjusted to be read (silently?) rather than listened to – also reminds us of the third challenge this special issue has highlighted. How can the written form of an article, editorial or book express the ‘what else’ or ‘what different-ness’ of reading aloud? How can words on paper or screen contain that which we are arguing voice adds, ear captures and body enacts? This challenge is made explicit by Wells, but we can also read each of the other pieces with an eye (or ear) for how this struggle plays out.”

The Reading Aloud special edition of “Changing English” (Volume 27, 2020 Issue 1), with the full collection of papers, is available online here:

https://www.tandfonline.com/toc/ccen20/27/1?nav=tocList

There are various ways of going directly to Gordon’s article.

Firstly, if you have automatic access through an academic institution to the journal (or plenty of spare cash!) you can follow this link:

https://doi.org/10.1080/1358684X.2019.1660620

Alternatively, there are up to 50 free e-prints available. The article dwells to some extent on the need to strengthen connections between Gaelic academia and the Gaelic communities on whose behalf it may sometimes claim to speak, concluding “deeper reflection may be called for on some fundamental assumptions and expectations in respect of speaking and writing skills, and perhaps even some closer self-examination on the part of researchers and activists in relation to the links and linguistic power relations between academy and community.” Gordon would like the paper to be as widely available to the wider community as possible. So anyone who is able to access it through the link given above, rather than through the free e-print route, is urged to leave the latter open for those who have no other choice. If that is not an option, you can access the free e-print here.

Lastly, if you find the free e-prints all used up, there is still the option of reading Gordon’s original script for the symposium, which is very close to the eventual printed article – and viewing the accompanying presentation (with embedded links) – on this 2018 post about the event.

 

 

সমুদ্রপথে সেইন্ট কিলডা – Seatrek to St Kilda (Bangla version)

এই তথ্যচিত্রের মাধ্যমে সেইন্ট কিলডার সংক্ষিপ্ত বিবরণ তুলে ধরা হয়েছে। ল্যোওসের একটি পর্যটন সংস্থার সঙ্গে এই অভিযানটি সম্পন্ন হয়েছে। ভ্রমণের তালিকায় রয়েছে মূলদ্বীপের প্রাকৃতিক ও সাংস্কৃতিক পর্যটন। আটলান্টিক মহাসাগরের বুক চিরে এই অভিযানে দীর্ঘ সমুদ্রযাত্রার ক্লান্তি তো নেইই বরং আছে মন ভালো করা সব অসাধারণ দৃশ্য। নির্জন সমুদ্রসৈকত, অজস্র পাখিদের কোলাহল, প্রকৃতির নিবিড় ছোঁওয়া ও প্রাচীন মানব সভ্যতার ঐতিহাসিক উপাদান সব মিলিয়ে এক রোমাঞ্চকর অভিজ্ঞতা।

Bangla (Bengali) is the latest addition to Island Voices’ Other Tongues initiative, thanks to independent researcher Animesh Biswas, who can now add “film narrator” to his list of other talents! The language has hundreds of millions of speakers, yet the question may well be asked if any of them have previously had any access to information about the St Kilda dual natural and cultural heritage site in free-to-view online documentary format in their own language?!

On a linguistic note, it’s worth listening out for the pronunciation of placenames in the film. Animesh generally opted to go for Gaelic rather than English models, a process greatly assisted by the regular phonetic nature of Indian writing systems. Nach math a rinn e!

A Clilstore version with full wordlinked transcript and embedded video is available here: Unit 8568.

 

Stòras Beò: Christine

Christine Primrose will need little or no introduction for the Gaelic enthusiasts who follow Island Voices. A stellar singer, she has long been a leading light in the promotion of Gaelic music and the tradition which nurtures it. If, by chance, you are coming to acquaintance with her for the first time, this interview in English (with further useful embedded links) for Folk Radio will give you an indication of her central position in the world of Gaelic music.

In the clips below, she talks freely in Gaelic to Pàdruig Moireach – who also has Carloway roots – for the Stòras Beò nan Gàidheal project. A feast for the ears for anyone with a taste for good Lewis Gaelic!

In the first part, Christine first recalls her early childhood in Carloway, Lewis – a close community in which every house had a loom. She started school very young, but always remembers singing – whether to neighbours in their homes, or at community concerts when still a young girl. She talks about the pressure of performance and how to look after your voice. Choral singing is also discussed. Her early career through school, college, and work in Glasgow was marked by singing, culminating with the prize for “seann nòs” (a term which she questions) at the Mòd. (You can get a Clilstore transcript here: Unit 8434.)

In the second part, Christine talks about touring Ireland and the novel experience of presenting her songs outside her community, emphasising the importance of feeling to maintain authenticity. She is disciplined in her approach, while also bringing her own interpretation to a song. Care for the rhythm of the words enhances the story. Moving to Sabhal Mòr Ostaig enabled her to maintain her singing career, while helping to promote the Gaelic college. She enjoys teaching, and listening to singers from other traditions. She stresses the importance of giving young performers time to learn their craft before pressurising them to perform. Return visits to Carloway underline for her the importance of acknowledging change. (You can get a Clilstore transcript here: Unit 8435.)